Sink In Slowly

I find it so refreshing and encouraging that there are some new bands making album rock without regard to the mainstream (read ‘indiscriminating’) music consumer. The Devil and the Almighty Blues are one of those groups, hailing from Oslo, Norway that simply refuse to be categorized and lumped in with what passes for popular music in the 21st century.

Doing it Their Way

For those of you music lovers that have had their heads in the sand during this pandemic year, Greta van Fleet burst onto the rock scene a few years back with intensity not seen in a decade, fueled by 70’s-tinged classic rock and a shrug for those too jaded or Pitchfork-enamored to recognize that rock music has always and will always pay homage to itself in it’s best form.

Live for the Music

It’s my opinion and assessment that all music is best experienced as a live performance, whether by the original artist or a cover band or just some kids playing in the garage. The immediacy, dynamic range, power and emotional resonance of music is usually diluted once it’s captured to a tape or disc of some kind.

Jump in the Water

Six years after the worldwide phenomenon that was So, Peter Gabriel released this absolute gem of a breakup album. Dealing with the emotional and spiritual pain of his divorce from Laurie Anderson, the record mirrors the sonic layering and rhythms of So but, in my option, surpasses the impact of that offering through exquisite song-writing and craftsmanship in the studio.